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پروژه ترجمه(44163) =
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سلام؛لطفا این فایل رو از صفحه ۱۱ قسمت d تا اول تمرینهای صفحه ۱۷ و از صفحه ۱۹ قسمت ۱.۲ تا اول تمرینهای صفحه ۲۷ میخام برام کار ترجمه روان و قابل فهم انجام بشه؛در ضمن ترجمه تایپ شده و تایپ فرمولهای ریاضی رو نمیخام حتی دستنویس هم باشه خوبه؛من فقط ترجمه روان و قابل فهم این صفحات رو میخام؛لطفا هزینه و زمان رو بفرمایید؛ممنون
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پروژه ترجمه(44101)
کمک آموزشی
توضیحات:سلام وقت بخیر کار ترجمه هم انجام میدید شما؟؟ اگر بله این ۳ صفحه رو میخوام تا سر رفرنس ها ترجمه ی خوب و واضح میخوام وگرنه با گوگل ترنسلیت و برنامه های دیگه میتونم ترجمه کنم ولی به درد نمیخوره زمان:تا اخر این هفته #رو بیکا #5473
0 پیشنهاد 300,000 تومان 1 سال پیش
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ترجمه(21829)+
تایپ و ترجمه
سلام شبتون بخیر ببخشید مزاحم شدم دیر وقت شما کار ترجمه هم انجام میدید؟ برای این مقاله مزاحم شدم که عصر یا شب چهارشنبه ترجمه شو میخوام میخواستم بدونم هزینه ش چقدره +++
0 پیشنهاد 100,000 تومان 2 سال پیش
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: ترجمه(20010)*
تایپ و ترجمه
سلام وقت بخیر ترجمه متن میخوام Jewelry photography is a notoriously difficult process. The gems are highly-reflective, the pieces are commonly small, and colored stones don’t appear as vibrant in photos as it is in reality. For instance, emeralds can come out looking like tourmaline in photographs when its components react to the chromium in the film. The same misrepresentation of appearance can occur with tanzanite, which may come out like amethyst without proper photography techniques. We’ve seen how these, along with other multifarious issues, have led to frustrations among jewelers This page is dedicated to you and the rest of the jewelers who are looking for easy and sensible jewelry photography tips, so you can devote ample time focusing on other important aspects of your business. In this page, we’ll address the following, so read along, bookmark this page if you must, email it to yourself to be read later or conveniently jump to the section that interests you most. 1👆🏻 Jewelry Showing jewelry on models is beneficial for many reasons. First, it is an excellent way to show the scale of your jewelry. Your buyer (especially online shoppers) can picture size and how the jewelry will look on them better when they can see it modeled on a real person. Second, having modeled shots of your jewelry add great content for your website and social media. Model shots are great feature images and add yet another view for each item’s page. While a product shot on a plain background is important to be your main image, your jewelry on a model can offer great insight to customers. Third, model shots can help customers understand your brand. The look and feel and target audience can sometimes be portrayed better with model images. Another benefit of modeled jewelry is that you can showcase multiple jewelry items at once. Show customers how they can stack rings or bracelets. Offer a beautiful necklace that pairs well with those earrings. Let them see how multiple pieces of the line work together as a set! 2👆🏻 Jewelry Placement on Beautiful Model Shots One of the most effective ways to convey your message is to have your jewelry placed professionally on beautiful models wearing your items. If you set up a professional photo shoot, it will take time and cost thousands of dollars for each image. But our team of designers is expert in placing your jewelry (images provided by you) on stunning professionally photographed models--carefully chosen for your demographic and jewelry type. We purchase the model shots and do the work for a very cost effective price. You'll be pleasantly surprised at how inexpensive it is--and what an impact it has on your sales. Seeing your jewelry on lovely ladies helps your visitor understand the jewelry in context to its size and also helps your visitor envision it on themselves. 3👆🏻 اگر تا امشب بشه عالیه 1335*
1 پیشنهاد 300,000 تومان 2 سال پیش
مهارت ها
پروژه ترجمه(19940)*
تایپ و ترجمه
پروژه ترجمه سلام وقت بخیر شما کار ترجمه متن سبک هم قبول میکنید؟ سایتش رو بفرستم که متن رو میخوام یا فقط متنهاش رو جدا کنم و بفرستم؟ http://www.photographyoffice.com/blog/2011/12/the-mastery-of-jewellery-photography-paul-hartley بله این وب سایت Paul Hartley is a professional photographer with over twenty five years experience shooting jewellery, watches and cosmetics. A leader in his field, Paul takes technology very seriously. Driven by passion and equipped with state-of-art digital cameras, lenses and backs the artist creates incredibly high quality images, which exceeds the limits of visual creativity. Take a look at the priceless advises and fantastic images that he shares exclusively for Photography Office fans. Tell us about something about Paul Hartley Photography I’ve been a professional photographer since graduating from London’s Central Polytechnic in 1976 with a BA in Photographic Art. I started off as an assistant and then moved to being the in-house photographer of an AV production house. The company produced multi-screen presentations and shows for car launches or sales conferences using banks of Kodak carousel slide projectors controlled by early computers. It was good grounding as they expected to tackle just about everything. Models, still life and industrial location, even rostrum photography with specialized pin-register animation cameras. I set up my own studio in central London and I was working in this niche which with my skills meant that I was never out of work. Unfortunately nothing lasts for ever and video killed that type of business and I turned to Advertising Still Life. The photography was 5x4 and 10x8 shooting in the studio and I was shooting all kinds of stuff from cosmetics to trucks for London agencies. How did you get into Jewellery Photography? I was asked to shoot watches and jewellery about 20 years ago and started then to work for DeBeers. It was all large format at that time but around the same time I could see that digital was going to be the future and in 1992 I bought my first Mac and started to learn Photoshop v2.5. The idea was to gain control of more of the image creation process. Then it was the normal practice to shoot a transparency and then just hand it over. What was eventually printed, often bore little or no resemblance to the shot I’d planned and I was often disappointed. Back in 2000 I bought my first serious digital equipment. A Phase One back with a Rollei xAct camera. Before that Leaf systems based on Sinar cameras cost over £70k and that was too expensive for me then. The arrival of the Phase One with the Philips sensor changed everything. From that moment I never looked back as it became obvious that as a photographer I suddenly had complete control over my images and the retouching afterwards. I was shooting more jewellery at this time and no one else seemed to be doing what I was doing. So I decided to push the way I saw things and develop my own style although there was a lot of mistrust about digital files at first. Printers saw it as a threat to their own businesses and made life difficult at times. Jewellery loves digital though and my clients though so too and my business has never looked back. How do you keep yourself motivated and your photography creative, inspiring and fresh? All the professional photographers I know are the same. We’re a highly competitive bunch, often defensive about our business and techniques but always pushing to be better. Every morning I go to work I’m thinking about how I can create something new or different. I always carry a small notebook with me to jot down ideas. I know I can’t sit back and rely of last years shots and that might make it seem like a treadmill, but it’s not like that really, it gives me a real buzz to create a new image. Lots of challenges. Where do I begin? Sharpness and depth of field. Lenses only perform well to a minimum aperture of f11- f16 so stopping down smaller than this destroys sharpness. Techniques using tilt/shift lenses and Photoshop focus stacking are used. Lighting metal to look like metal. Using medium format to overcome the problems with DSLRs AA filter. Using Photoshop to correct flaws in the jewellery but not so much that the picture becomes a lie. Understanding what the jeweller client is looking for in the image I create for him or her. Color management. How has your shooting style and work ethic changed in time? The answer is yes, also no. I’ll explain. The techniques I’ve developed since turning digital only have meant that I’ve had to adopt new styles and approaches to shooting, but the basic skills I used when my cameras were 5x4 7 10x8 Sinars are still the same. The great thing about shooting tethered is that I see the image immediately instead of waiting two hours for the E6 processing. A lot of shooting film was guesswork and the skill of a professional photographer was to make educated guesses. Seeing the image on a calibrated top quality screen saves time and these days I get a lot done in a day. What are some tips you could give to people that really like your work? Have patience, jewellery is fiddly and needs a steady hand. If you really want to produce quality work, don’t buy the lighting cubes advertised by companies selling them as jewellery solutions. They are a complete waste of time and always give flat uninteresting results. Don’t use direct lighting unless the jewellery is perfect as it will show up scratches and fingerprints. Use trace screens and silver reflectors and experiment. Move the lights about and watch the effect on the jewellery. Use the histogram to make judgements about exposure and trust it rather than your screen unless you own a Spectraview or Eizo. Buy the best tripod or camera stand you can afford. Practice, practice, practice....pixels don’t cost anything. Can you name some photographers that inspires you with their works and why? My first photographic hero was Ansell Adams. I studied Photographic Art and I was blown away when I saw an exhibition of his original prints. They’re simply sensational. Irving Penn, a master class in composition and clarity. Helmut Newton, on the surface, the images are titillating but actually powerful and disturbing. I’m also a big fan of Pete Turner. Color like you’ve never see before. 1335*
1 پیشنهاد 100,000 تومان 2 سال پیش
مهارت ها
پروژه ترجمه(19921)*
تایپ و ترجمه
سلام وقتتون بخیر برای ترجمه ی این مقاله هزینه رو ممکنه بفرمایید و اینکه چند روزه انجامش میدین؟ 4676*
0 پیشنهاد 100,000 تومان 2 سال پیش
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پروژه ترجمه (15521)+
تایپ و ترجمه
سلام مقاله رو ترجمه كنيد( ترجمه رو هم نياز دارم بايد برام بفرستن) و اسلايد هاي طبق متن مقاله از ان درست كنيد( اگر تصويري مرتبط در اين زمينه داشت استفاده شود، اسلايد هاي شيك و صرفا تمام متن در اسلايد ها گذاشته نشود سر تيتر و كلمات كليد و مطالب معم در اسلايد ها گذاشته شود) فقط متن اسلايدهاي كه درست ميكنن رو نياز دارم تنها اسلايد نباشه متن رو در يك فايل ورد ميخوام چون بايد ارائه بدم +++
0 پیشنهاد 200,000 تومان 2 سال پیش
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پروژه آموزش زبان (15505)
تایپ و ترجمه
سلام خسته نباشید خواستم بپرسم ببینم شما پروژه رشته آموزش زبان انجام میدید؟ پروژه برای درس مطالب کمک آموزشیه و مرحله به مرحله باید پیش بریم الان باید درس یا کتاب ارزیابی کنیم به صورت جزئي و كلي سلام پروژه به این صورته که دوتا درس کتاب هفتم رو بررسی میکنیم به این سوالا باید جواب بدیم
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پروژه متلب (15375)+
کمک آموزشی
سلام مهندس این دو تا پروژه رو میخوام برای ترجمه و شبیه سازی ترجمه ش رو زودتر میخوام اما شبیه سازی یک ماه بیشتر فکر کنم وقت دارم +++
0 پیشنهاد 1,000,000 تومان 2 سال پیش
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پروژه متلب (15324)*
کمک آموزشی
سلام این مقاله رو میخواستم با متلب برام پیاده سازی بفرمایید. زبان اصلی هست. هزینه ترجمه هم جداگانه تقدیم میشه 7093*
0 پیشنهاد 300,000 تومان 2 سال پیش
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پروژه ترجمه (14362)*
تایپ و ترجمه
با سلام این آدرس یک سایته که داخلش صفحه ای باز میشه در مورد مدلسازی ماشین لیرنینگ ...این صفحه میخواستم ترجمه بشه توسط کسیکه مسلط هست به برنامه نویسی یا یک مجری که مسلط باشه به برنامه نویسی در زمینه ماشین لرنینگ در حد چند صفحه فایل پی دی اف انواع نحوه مدلسازی در ماشین لرنینگ و توضیحاتش به طور خیلی خلاصه ( کلا ۴ الی ۵ صفحه ) آماده کنند https://docs.paperspace.com/machine-learning/wiki/machine-learning-models-explained 678**
0 پیشنهاد 100,000 تومان 3 سال پیش
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